Abbott and Costello do the Dark Continent

Africa Screams (1949)
Starring: Bud Abbott, Lou Costello, Hillary Brooke, and Shemp Howard
Director: Charles Barton
Rating: Six of Ten Stars


After dimwitted but kindhearted bookseller Stanley Livingston (Costello) is mistaken by a scheming con-woman Diane Emerson (Brook) as an Africa expert, he is brought on an African safari that supposedly is hunting for a rare giant ape, but in actuality is searching for a secret tribe of cannibals deep within the African jungle who are rich in diamonds. With Stanley's greedy co-worker Buzz (Abbott) along for the ride, much confusion, double-crossing, and slapstick routines with lions, crocodiles, and giant apes (well, a guy in a monkey suit pretending to be a giant ape) ensue.


"Africa Screams" is a funny, fairly average Abbott & Costello vehicle. Abbotts routines with Shemp Howard (of Three Stooges fame, appearing here as perhaps the most effeminate manservant ever put on screen) are highlights of the film. It remains a solid effort up to the very end, where it erupts into a wild chase scene--with cannibals, crooks, and various kinds of apes and monkeys all chasing Stanley and each other around the set while Buzz tries to make his getaway with a bag of large diamonds--that comes to a sudden halt and leaves a number of plot-threads dangling. Now, I don't expect nice little story packages from an Abbott & Costello film, but the fate of a number of characters is left unresolved, and I would have liked to see a little more in the way of wrap-up.

"Africa Screams" is recommended for Abbott & Costello fans, so long as you go in knowing it's not their best effort. However, if you're one of those oversensitive types who take offense at racism whenever possible, you might want to leave this one alone. (I already mentioned the cannibals, so I think you can guess why I'm warning you.)

Sherlock Sunday: The Woman in Green

The Woman in Green (1945)
Starring: Basil Rathbone, Nigel Bruce, Hillary Brooke, Henry Daniell and Matthew Boulton
Director: Roy William Neill
Rating: Six of Ten Stars

Inspector Gregson (Boulton) turns to Sherlock Holmes (Rathbone) for help in solving a series of grisly mutilation murders. Holmes soon discovers the murders are only part of a much larger criminal enterprise... and that his old foe Professor Moriarty (Daniell) may have returned to London.


"The Woman in Green" is not one of the best of the Universal Pictures' Holmes movies, but even so it's obvious why so many fans believe the Basil Rathbone Holmes is THE Holmes. Pains were taken to make Rathbone and the set of 221B Baker Street like living manifestations of the famous Sidney Paget illos from Strand Magazine and those efforts go along way to making this film fun to watch. Rathbone's Holmes is also very no-nonsense and task focused, always straight to the point; with the exception of his occasional ribbing of Watson, there is none of the humor present in so many other portrayals of Holmes.

But speaking of Watson, he is the weak point in this film, as he is in just about every one of the Holmes films from Universal. Nigel Bruce does a fine job as being comic relief as the bumbling, dimwitted Watson, but one continues to wonder why Holmes would keep him around, because he causes more problems than he solves. Is it just so Watson can pick up the tab for dinner now and then? Perhaps Watson is going senile, and Holmes keeps him around out of love and respect for the way he used to be? As excellent and accurate as the portrayal of Holmes in these films is when compared to the Doyle stories, Watson is completely off target.

The plot of the film is original, although there's an assassination attempt on Holmes that's taken from "The Empty House," and there's some dialogue that I think was lifted from "The Final Solution." Like the majority of the other Universal Holmes films, the characters were transported to modern times (which means the 1940s), but this doesn't seem to harm them in any way. If anything, it enhances the characterization of Holmes, because it forced the costumers to ditch the ludicrously out-of-place tweed coat and deerstalker hat that so many filmmakers insist on making the character wear even while in the city.






"The Woman in Green" is one of several Holmes movies that slipped into public domain when the copyright wasn't properly renewed during the 1970s. It's available in a number of value packs (taken from copies of varying quality), but if you want to have the best image quality possible, you want to get "The Sherlock Holmes Collection, Vol. 3," which includes an excellent restoration. The other collection linked to is recommended due to its low price and the fact that you get three Rathbone films and three films starring Arthur Wontner as Holmes.

Hedy Lemarr makes this film as 'The Strange Woman'

The Strange Woman (1946)
Starring: Hedy Lemarr, George Sanders, Louis Hayward, Gene Lockhart, and Hillary Brooke
Director: Edgar G. Ulmer
Rating: Seven of Ten Stars

Beautiful sociopath Jenny Hager (Lamarr) vamps her way through early 19th century Bangor, spreading heartbreak, mayhem and murder.


"The Strange Woman" is a predictable period drama that is elevated by its superior cast, and a multi-faceted performance of star Hedy Lemarr. Although Jenny Hager is a textbook sociopath and thoroughly evil, Lamarr manages to make the character sympathetic. Unlike most femme fatale characters as self-centered and manipulative as Jenny, the viewer can't help but feel a little sorry for her when her life starts to unravel when her weaknesses catch up with her.

Another impressive aspect of the film is is musical score. It serves as more than just a mood-heightener, it helps move the story forward by using well-known bits of music (such as the Wedding March or a Christmas song) to show the passage of time. It's a very effective technique that makes sure the film never loses momentum.

If you're a fan of Hedy Lemarr or a great lover of gothic romances, I think you'll get a kick out of this movie.